The Girl with the Dragon Tattoo (Millennium Trilogy) [Kindle Edition] price

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Kindle Price: $9.99 includes free wireless delivery via Amazon Whispernet Sold by: Random House Digital, Inc. This price was set by the publisher
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Amazon Best of the Month, September 2008: Once you start The Girl with the Dragon Tattoo, there's no turning back. This debut thriller--the first in a trilogy from the late Stieg Larsson--is a serious page-turner rivaling the best of Charlie Huston and Michael Connelly. Mikael Blomkvist, a once-respected financial journalist, watches his professional life rapidly crumble around him. Prospects appear bleak until an unexpected (and unsettling) offer to resurrect his name is extended by an old-school titan of Swedish industry. The catch--and there's always a catch--is that Blomkvist must first spend a year researching a mysterious disappearance that has remained unsolved for nearly four decades. With few other options, he accepts and enlists the help of investigator Lisbeth Salander, a misunderstood genius with a cache of authority issues. Little is as it seems in Larsson's novel, but there is at least one constant: you really don't want to mess with the girl with the dragon tattoo. --Dave Callanan Starred Review. With its rich characterizations and intriguing plot, the first book of the late Stieg Larsson's completed trilogy, involving disgraced Swedish journalist-publisher Mikael Blomkvist and the eponymous, pierced and tattooed, emotionally troubled young hacker-investigator Lisbeth Salander, clearly deserves the acclaim it's received overseas. Martin Wenner's almost indifferent, British-accented narration would seem an odd choice for a novel filled with passion, sex and violence, but as the oddly coupled Blomkvist and Salander probe the four-decade-old disappearance of Harriet Vanger, heiress to one of Sweden's wealthiest clans, the objective approach actually accentuates the extreme behavior of both and the strange subjects of their investigation. Wenner's calm, controlled manner aids the listener in keeping track of the numerous members of the Vanger family, a task that the printed book simplifies with a reference page. A Knopf hardcover (Reviews, July 14). (Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.



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Happy Valentine's Day Door Cover 30in. x 5ft Pkg/1

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List Price: $5.99 Price: $4.05 You Save: $1.94 (32%)
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Contents: (1) 30in. x 5ft. Valentines Day Door Cover.



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The Yellow House: A Novel [Kindle Edition].

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Print List Price: $21.99 Kindle Price: $2.99 includes free wireless delivery via Amazon Whispernet You Save: $19.00 (86%) Sold by: Hachette Book Group This price was set by the publisher
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A family's future is in the hands of one very brave young Irishwoman in this accomplished debut set between WWI and the growing violence of the Irish war of independence. Eileen O'Neill inherits a lifetime of struggle and heartbreak when her family is ripped apart by war, disease, mental illness and greed. And if civil war and family strife weren't enough to deal with, Eileen is torn between James Conlon, a passionate Irish nationalist, and Owen Sheridan, a British army officer and the son of a wealthy family. As the war's presence in her life intensifies, Eileen continues to weigh her heart's pull against national pride, family loyalty, class divisions and her own spirit. This novel delivers the best of both worlds: secrets, intrigue and surprising twists will keep readers flipping the pages, while Falvey's insight and poetic writing tugs at the heartstrings of the most cynical audiences. (Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. "Patricia Falvey draws on her North of Ireland roots to put a human face on the turning point in 20th century Irish history. A moving novel and singular achievement." (Mary Pat Kelly, author of Galway Bay, on THE YELLOW HOUSE ) "Intelligently plotted, with engaging characters, the novel offers a fresh view of the highly dramatic Revolutionary Period in Ireland. The well-researched history illumines but never smothers the storyline. Small details bring the era to life with stunning clarity. The writing is lucid and accessible, occasionally even lyrical. This is a very rewarding first novel and I look forward to reading more from Patricia Falvey." (Morgan Llywelyn, author of Lion of Ireland, Pride of Lions, Grania, The Last Prince of Ireland, and The Irish Country series on THE YELLOW HOUSE ) "THE YELLOW HOUSE is an eloquently written story of the emergence of hope and love in a time of struggle and confusion in Ireland. It avoids the ever-present pitfalls of drowning us in a history lesson while not ignoring the richness of that very history. With her debut novel, Patricia Falvey breathes life back into an Ireland that has nearly vanished from memory. For that, I am grateful." (Robert Hicks, New York Times bestselling author of The Widow of the South and A Separate Country ) "...You can often tell where a book's plot and characters are going. But so many times I was astonished to find that what I expected on the next page was a complete surprise. Falvey held my attention with suspenseful events that constantly amazed me...THE YELLOW HOUSE is a powerful book, full of strongly drawn characters that exemplify vitality, humanity, and passion for life. They are so realistic, I felt like I knew them." (Irish American News Frank West ) "This novel delivers the best of both worlds: secrets, intrigue and surprising twists will keep readers flipping the pages, while Falvey's insight and poetic writing tugs at the heartstrings of the most cynical audiences." (Publishers Weekly on THE YELLOW HOUSE ) "The Yellow House was extremely interesting from an educational perspective. It brings to life the struggles of individuals and communities seeking freedom. (The Washington Times Cecie O'Bryon England ) "If you like historical fiction, with great flourishes of families destroyed and remade, this is a classic." (The Review Broads on The Yellow House ) "...Falvey tells a good story along the way. A host of interesting characters, surprising but plausible plot developments, and deftly incorporated details of the Irish struggle for independence add up to a debut novel sure to please fans of historical romance." (Kathy Piehl, Library Journal on The Yellow House ) "...Falvey very successfully weaves together the politics, history, and landscape of Ireland in this period...Falvey brilliantly illustrates the cultural, political, and economic conflicts that result in erecting Ireland's North/South dividing border. The well-researched history of the period emerges through the characters, their conflicts, and their choices. The story is absorbing and satisfying historical fiction." (Sacremento Book Review and San Francisco Book Review, February 2010 on The Yellow House ) "The early scenes of Eileen's and James' lawless exploits for the Catholic resistance make for thrilling reading....The book serves as a provacative reminder of the tangled strings of family, war and familial war, and also...as a spendid example of old-fashioned, minimal-bodice-ripping romance." (Joy Tipping, The Dallas Morning News, February 14, 2010 on The Yellow House ) "The characters are full, rich and real and the history of Ireland feels authentic. The author refrains from delineating clearly between the good guys and bad guys. She allows the reader to make their own decisions and I liked that. The Yellow House is a winner. I just can't shake the memory of it and that's a good thing. (Andrea Sisco, Minneapolis Insight Examiner, March 2, 2010 ) "[O]ne of the best historical fiction novels I have read in years. . . . I simply could not pull myself away from this book. It took me back to classics such as Gaskell's North and South and the heroine Eileen had so many of the qualities that I have always loved in dear Tess of Hardy's Tess of the D'Ubervilles. When one book can bring me back to two of my favorite books of all time that are both absolute classics, I am in awe. This book kept me emotionally invested until the very end. . . . Wonderfully written, magically created, it could only come from a true Irish lass and to be her debut novel. . . .amazing. I loved it . . . every page." (Stiletto Storytime, March 14, 2010 on The Yellow House ) "It is rare for a first-time novelist to tackle historical events in as refreshing a manner as Patricia Falvey does in The Yellow House....Falvey controls the story....Take your time reading The Yellow House, you'll be sad to see the last page." (Irish America, June/July 2010 ) "Set in the tumultuous years before and after World War I, The Yellow House is an impressive debut that will appeal to readers of Irish family sagas. Falvey skillfully takes major events and reduces them to a personal level, focusing on the effects of World War I and religious unrest in Ireland on one woman and the people around her." (Historical Novels Review, May 2010 )



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Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] review

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Digital List Price: $17.99 What's this? Print List Price: $17.99 Prime Members: $0.00 (read for free) Prime Eligible Kindle Purchase Price: $5.98 When Purchased, You Save: $12.01 (67%)
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Product Description Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it out of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for the unrest? Katniss. And what's worse, President Snow has made it clear that no one else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one of the most talked about books of the year. A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games) Q: You have said from the start that The Hunger Games story was intended as a trilogy. Did it actually end the way you planned it from the beginning? A: Very much so. While I didn't know every detail, of course, the arc of the story from gladiator game, to revolution, to war, to the eventual outcome remained constant throughout the writing process. Q: We understand you worked on the initial screenplay for a film to be based on The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay? A: There were several significant differences. Time, for starters. When you're adapting a novel into a two-hour movie you can't take everything with you. The story has to be condensed to fit the new form. Then there's the question of how best to take a book told in the first person and present tense and transform it into a satisfying dramatic experience. In the novel, you never leave Katniss for a second and are privy to all of her thoughts so you need a way to dramatize her inner world and to make it possible for other characters to exist outside of her company. Finally, there's the challenge of how to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A lot of things are acceptable on a page that wouldn't be on a screen. But how certain moments are depicted will ultimately be in the director's hands. Q: Are you able to consider future projects while working on The Hunger Games, or are you immersed in the world you are currently creating so fully that it is too difficult to think about new ideas? A: I have a few seeds of ideas floating around in my head but--given that much of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges and I can begin to develop it. Q: The Hunger Games is an annual televised event in which one boy and one girl from each of the twelve districts is forced to participate in a fight-to-the-death on live TV. What do you think the appeal of reality television is--to both kids and adults? A: Well, they're often set up as games and, like sporting events, there's an interest in seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they have very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I find very disturbing. There's also the potential for desensitizing the audience, so that when they see real tragedy playing out on, say, the news, it doesn't have the impact it should. Q: If you were forced to compete in the Hunger Games, what do you think your special skill would be? A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope would be to get hold of a rapier if there was one available. But the truth is I'd probably get about a four in Training. Q: What do you hope readers will come away with when they read The Hunger Games trilogy? A: Questions about how elements of the books might be relevant in their own lives. And, if they're disturbing, what they might do about them. Q: What were some of your favorite novels when you were a teen? A: A Tree Grows in Brooklyn by Betty Smith The Heart Is a Lonely Hunter by Carson McCullers Nineteen Eighty Four by George Orwell Anna Karenina by Leo Tolstoy Slaughterhouse-Five by Kurt Vonnegut A Wrinkle in Time by Madeleine L’Engle Lord of the Flies by William Golding Boris by Jaapter Haar Germinal by Emile Zola Dandelion Wine by Ray Bradbury (Photo © Cap Pryor) Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but this time it is for world control. While it is a clever twist on the original plot, it means that there is less focus on the individual characters and more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life into a less vibrant Katniss by showing her despair both at those she feels responsible for killing and and at her own motives and choices. This is an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn of the rebels and the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are well evidenced in his voice, which goes from rage to puzzlement to an unsure return to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but also respects the individuality and unique challenges of each of the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



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Happy Valentines Day Decorative Wood Metal Hanging Sign.

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List Price: $12.95 Price: $5.82 You Save: $7.13 (55%)
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Wild and wacky sign displays your playfully romantic heart! Cartoon letters and dancing hearts spell out a charming Valentine's Day wish to one and all. Metal wire for hanging. Weight 1 lb. MDF wood and metal. 13 1/4" x 1/2" x 9 3/4" high; hanging 12 1/2" high.



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Valentine's Day Sign price

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Price: $7.21
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Sweet cutout sign is aglitter with countless tiny sparkles, wishing one and all a very special Valentine?s Day. A darling decoration for the true romantic at heart! MDF wood. 12 3/4 inches x 1 inches x 2 3/4 inches high.



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Valentine's Cinnamon Heart 33-Inch Beads 6 Per Pack review

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Price: $2.59
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The Beistle Company is the oldest and largest manufacturer of decorations and party goods. With unsurpassed service and top quality products its easy to understand why The Beistle Company is world renowned in the Party Goods Industry. Our decorations and party goods are manufactured from the finest and highest quality raw materials. This combined with unsurpassed skilled craftsmanship creates the very best value in the market place.



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